A column of news, views and snippets from the international literature of books, libraries, and information, compiled by Peter Lor
In loco parentis?
Not many readers of this column will be old enough to remember the impassioned debates about children’s books, which raged in the Cape Town newspapers in the early 1970s. They were set off by a decision taken by Cape Town City Libraries to ban from their collections popular children’s series such as those by Enid Blyton (who authored over 600 books separately and in various series), the Just William books, by Richman Compton, the detective stories featuring the Hardy Boys, and Nancy Drew (both series written by a syndicates of authors and published under pseudonyms) and, in Afrikaans, the Trompie and Saartjie series both written by Topsy Smith. Kids lapped them up, one after another, but the librarian in charge of selecting books for Cape Town children, Lydia Pienaar, who had recently been awarded masters and doctoral degrees for her work on children’s literature, decreed that the addicted children wasted valuable time they should have spent reading books of better quality. She had worked out that the average child could only read about 700 books during childhood. After that the golden opportunity to enjoy good children’s books from a child’s perspective, was lost for good. Her opponents, including many parents, argued that these books got kids reading books, which was better than not reading at all or, horrors! reading comics.

Comics
The debate about comics is not over. In a 2020 article in the Washington Posts’ Perspectives section, children’s librarian Karen MacPherson makes the case that comics, which she prefers not to call graphic novels, are real books and can be a valuable literacy tool to encourage reluctant readers (MacPherson 2020).
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